Janus Lab Italy
Tropical Fish
Tropical Fish
Tropical Fish - Colorful richness
Capturing the colorful richness of tropical variety is no simple task. Colors merge and separate, intensify one another, stand side by side in bold contrast, or suddenly transform under the reflection of light. They play together to enrich the whole. Nature knows best.
I am endlessly drawn to nature’s ingenuity, and whenever possible, I try to echo it in my work. To recreate such vitality, I rely on nature’s own tools—allowing materials to react, to shift, to transform. Rather than imposing artificial effects, I avoid banality, excessive stylization, or simplistic blends that feel fabricated or unreal.
My allies are copper oxidation, firescale, the wide movement of flame across the metal surface, the reticulation of the original skin of the material, heat, and the tectonics of shifting metal. These processes are not decorative—they are elemental.
The result seeks unity. Red enters into dialogue with the gold tones of copper. Blue dissolves into red along a gradient that passes through pink and violet-purple. Browns scatter across the surface, grounding the composition, making it more earthy, more organic.
I am captivated by the balance between such different colors—the tension and harmony they create when allowed to coexist freely
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Enamel - Le Grand Feu
“Smalti a Fuoco_ Un’arte di Sottecchio”
The art of fire enameling is an ancient and highly complex craft.
Rooted in precise gestures and knowledge acquired over time, it has, through the centuries, transformed simple metals—such as copper or silver—into objects of great value and artistic significance.
Today, it is largely confined to a few specialized creations and is often mistaken for industrially produced items or those made with polymer-based enamels. As a result, it remains mostly associated with traditionally styled aesthetic prototypes.
Only in rare cases has it broken free from classical aesthetics, giving rise to modern works crafted using ancient techniques—thanks to great, though now nearly forgotten, artisans.
These are the foundations of our own deeply personal journey: not only a rediscovery of enamel’s potential, but also a search for a new, contemporary language—one that reimagines how fire enameling can still express beauty and sophistication today.
The Origin of ...
Stories of ancient civilizations lost to time—where traces begin to resurface through climate change and environmental degradation. Both in icy regions and equatorial rainforests, new signs of past civilizations emerge.
Starting from those same carved stones—faces sculpted by ancient hands—I began to wonder about human expression: how to represent it, how to give it form. I started experimenting with shaping expressions -mimicking ancient relics- on copper, sculpting the metal and recreating those same lines. The hammer transforms the material in two ways: on one side it expands and deforms the surface; on the other, it leaves marks rich with texture.
It became inevitable for me to begin sculpting real faces, seeking to capture their emotions—their wonder, sadness, and joy. I am fascinated by how ancient civilizations, and more broadly by how cultures, have sought to depict their people—their identity, their symbolism, their spirit. That is the path this project follows.